Recently in Advertising/Marketing Category

Have you noticed the new L.L. Bean TV ad that's set to some of the lyrics of Harry McClintock's Depression-era song, Big Rock Candy Mountain? If not, here's it is, via YouTube:



This strikes me as an odd choice of music for a company which, I assume, wants to be incredibly sensitive to the sensibilities of its customers. The ad takes a brief snippet of lyrics and puts them into a setting that conveys a carefree sense of adventure and wonder, but the original song in its entirety is much darker and filled with references that I'm sure L.L. Bean would not want to be associated with.

The ad wisely omits lyrics such as "There's a lake of gin we can both jump in," "...little streams of alcohol come a-trickling down the rocks," "There's a lake of stew and of whiskey too," and "...where they hung the jerk that invented work." (According to Wikipedia, the original version of the song also contained a verse laced with profanity and a vulgar reference. You can read all the lyrics, sans that original verse that never made it to an actual recording, here. Ironically, the website with the lyrics is the National Institutes of Health's "Kids' Pages.")

Granted, this song has been recorded many times through the years by such family-oriented artists as Burl Ives and included on the Care Bears Karaoke CD - with "sanitized" lyrics, of course - and I suspect that many if not most listeners have no idea about the context or actual lyrics of the entire song. But that still doesn't lessen my surprise that it would end up in a national advertising campaign for a company like L.L. Bean.

This is an interesting area for marketers. How much should the overall context of background music matter to the advertisers? Does the reputation of the writer or original recording artist play into the decision to use a song? Is any connection between song lyrics and ad message, however tenuous, sufficient justification to use that song? And will we thus eventually hear a Michelin ad backed by Why Don't We Do It In The Road?
Funny how context changes things.

One of the most grating commercials on TV is the "Wow, that's a low price" spot by Staples. If you haven't yet been annoyed by it, permit me to give you the opportunity:



What'd I tell you?

But, using that same technique, the H-E-B grocery chain has created a hilarious and effective parody:



I like the way the ad actually refers to the first commercial (although it was probably necessary to do so in order to show that they know that we know that this is a parody).

In the end, the yelling guy gets booted from the store, something that would have definitely improved the original ad, albeit to the detriment of the message. But since that ad is so annoying, I can't imagine that it's very effective anyway. Although, I did write a post about it, so Staples has that going for it.

Of course, it could always get worse:


Need a new job? Do what this guy did - capitalize on the narcissistic tendencies of bosses by purchasing their names as keywords, and wait for them to Google themselves.

This is a rather striking example of combining tech savvy with insight into human nature and psychology. No wonder he actually landed a job with this approach. [Link via Neatorama]


Lindsay's Slippery Slope
March 10, 2010 8:29 AM

I'm sure that you've heard that Lindsay Lohan is suing E-Trade and its advertising firm for using the name "Lindsay" in one of their wildly popular TV commercials. The "actress" wants $100 million for "pain and suffering" because - her lawyer claims - she's a "one-name celeb like Oprah or Madonna" and the TV ad sends a subliminal message that reflects badly on her image.

Excuse me? First, I feel compelled to remind Lindsay that she's made a series of choices in her life that have relegated her to the B-list (at best) of impaired and out-of-control wannabes. Having a talking baby make fun of her (even subliminally) would actually be a step up for her.

Setting aside the fact that in 1986 (the year of her birth, in case she can't remember) the name "Lindsay" was the 46th most popular girl's name in the USA (and the variant "Lindsey" ranked even higher, at 39), I think she should give careful consideration to the implications of claiming an exclusive association with certain descriptors. If her lawsuit is successful and thus requires that every time we hear "Lindsay" (or, if we have a discriminating ear, "Lindsey") we think of her, then it will have to logically follow that we'll also bring her to mind whenever we hear "pathetic," "narcissistic," and "delusional."

Then again, perhaps that horse has already bolted the stable.

Update: This just in - Oprah and Madonna are suing Lindsay and her lawyers for associating their names with hers.

And just to show how seriously we here at the Gazette take Lohan's lawsuit, here's the ad in question:


Happy Slo-Mo Dogs
March 5, 2010 8:04 AM

Remember the frustrated frog videos? Well, on the flip side of things, here's a vid that has a happier ending for all the participants. (Remind me never to eat in front of a 1,000 frame per second camera.)


More Tilt-Shift
March 1, 2010 6:26 AM

Perceptive Gazette readers will recall this short post about tilt shift photography, a technique that seems to be gaining in popularity.

One of my favorite commercial applications of the technique is the following Allstate Insurance TV ad:



It's a winsome effect, turning a real life scene into something toy-like. But, as nice as it is, it's child's play compared to this (link via Neatorama):

The Sandpit from Sam O'Hare on Vimeo.

The filmmaker, Sam O'Hare, describes the process he employed in converting 35,000 still photos (shot over a five-day period) into this fascinating look at "a day in the life of New York City." He used a Nikon D-3 digicam and opted for standard Tamron and Sigma lenses in place of dedicated tilt-shift glass; the "minature" effects were added in post-production.

O'Hare says that he likes "making large scenes small," and The Sandpit is an amazing example of how to do that.

Super Bowl Thoughts
February 8, 2010 2:31 PM

Drawing upon the documentary film Airplane!, my reaction to yesterday's Super Bowl MMCXLVIIIXI was that I picked the wrong day to quit live-blogging the TV ads. It would have been so easy to assign the coveted Ant Ratings. There were about 30 1- or 2-Ant ads, and only two that I thought were worth watching again.

My favorite occurred near the beginning of the game. It was the Doritos dog shock collar ad. I always like to see mistreated canines wreak revenge on their tormentors (and gain the Doritos in the process). My second favorite was the Volkswagen "slug bug" ad, which was entertaining throughout but hit the perfect note with Stevie Wonder calling slug on Tracy Morgan at the very end.

I'd give an honorable mention to the E*Trade "milkaholic" baby ad.

The GoDaddy.com ads were as forgettable as I expected, although in hindsight, I don't think they reached the same level of sleaziness as in past years. GoDaddy's ad strategy continues to mystify me. I have a hard time believing that they're hitting their target audience with those ads, and even if they do succeed in driving a ton of traffic to their website (which is generally one of the marks of a successful ad campaign), I doubt those clicks turn into revenue. I continue to believe that GoDaddy's founder, Bob Parsons, is just a DOM who likes hanging out with cute young chicks. But, hey...it's his $2.5 million per thirty seconds and if that's how he wants to spend it...

Actually, the edgiest ad from a sexual content perspective came from a completely unexpected source: Motorola. Megan Fox (Megan Fox!), pondering the effect of posting a photo of herself in the bathtub, with the result being several scenes that no parent really wants to try to explain to a ten year old.

The Focus on the Family ad with Tim Tebow and his mom was sweet and funny, and the controversy about airing it seems to prove that some people are simply born to be offended.

The one glaring aspect of the broadcast yesterday was the glaring product placements that CBS inserted at every turn. It even extended to the halftime show. Think it was coincidental that The Who played the theme songs from all three CSIs? Their discography has hundreds of songs and yet those three were prominently featured. (Yeah, I'm just bitter because Magic Bus is my favorite Who song.)

Speaking of music, Carrie Underwood's rendition of the National Anthem was spine-tingling...up until the last note. Yikes. Still, I nominate her for next year's halftime show.

However disappointing the ads were this year, the game itself more than made up for them. Going in, I had no skin in the game, not really caring too much who won, but expecting to see a well-played game by the two best teams in the NFL. Well, if you put my feet to the fire (I have very tender feet, you know), I'd have leaned slightly in the direction of Nawleans, for the obvious sentimental reasons. When the Saints went down early by ten points, I thought, "oh no, another overhyped game ruined by expectations," but that was obviously premature.

I felt bad for Manning, throwing that late interception, but he's had his day in the sun and Drew Brees was on fire. It was just his time, and he made a fine and gracious victor.

I can't help wondering, though, what Indianapolis would have done had they scored a touchdown instead of throwing the game losing interception. Would they have taken the safe way out and kicked the extra point, and hope to win the game in overtime? Or would they have considered how absolutely unstoppable Brees had become, and not wanted to gamble their season on a coin toss...and thus gone for two points? We'll never know, of course, but if the tables had been turned, I suspect the Saints coach, Sean Payton, would have gone for two. And, no doubt, made it.

Of course, in closing, I'd just like to remind the Saints and their fans everywhere of one little fact: the Cowboys still kicked your rears in your own house. I'd like to think that that game provided some education that led to your ultimate victory. No need to thank us. ;-)

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