Tiered Pricing Ahead for iTMS? And why a little piracy is a good thing.

I'm probably the last person in the universe to discover Chris Anderson's blog, The Long Tail.* But it's now firmly entrenched in NetNewsWire where I'll be checking it often.

A couple of somewhat recent posts caught my eye and I'm linking them in one article despite their taxonomic disparities. (I don't know what it means either; I just made it up.)

The first article discusses the possibility that Apple may move to a tiered pricing structure in its iTunes Music Store (iTMS), discarding its current $.99/song policy. The move may be to a range of prices that provides for a higher fee for new music and a lower fee for older or less popular music. According to the article, the record labels are all in favor of the former, which is no surprise. What's surprising, perhaps, is that they're also in favor of the latter. The thinking is that the less popular music -- which, in this case, represents "the long tail" -- would sell better at a lower price. You could get into all kinds of discussions about demand elasticity, etc. but the idea does have merit and I find it attractive from a selfish perspective. I suspect that my preference for Diana Krall over Coldplay, or for Brazilian samba over glitch/dance would mean that my likely choices in downloads would fall into the lower price categories. In any event, it's in Apple's best interests to pay close attention to things like this as iTMS continues to mature.

The second article presents an even more intriguing suggestion, that a small amount of software piracy is actually beneficial to the industry. This is based on two premises, one related to "user experience" and the other economic.

On the user experience side, Anderson states "Any protection technology that is really difficult to crack is probably too cumbersome to be accepted by consumers." This is not a new concept, and we're all experiencing it more often. As software (or any digital content, really) becomes subject to increasingly strict DRM, it also becomes increasingly a pain to register, to use on different computers (or music players), etc. There's a fine line between making the DRM scheme strong enough for protection and too strong for reasonable use.

The economic argument goes thusly: "...piracy can actually let you raise your prices." Anderson gives a great example of how this can be the case:

The usual price-setting method is to look at the entire potential market, from the many at the economic lower end to the few at the top, and set a price somewhere in between the top and bottom that will maximize total revenues. But if you cede the bottom to piracy, you can set a price between the top and the middle. The result: higher revenues per copy, and potentially higher revenues overall.

An even more interesting argument is this one:

Add to this the familiar (if controversial) argument that piracy helps seed technology markets, and can be a net benefit. Especially in fast-developing countries such as China and India, the ubiquity of pirated Windows and Office have made them de-facto national standards. Few users could have paid for the retail versions at the start, but now that the spread of cheap technology, including free software, has led to an economic boom, Microsoft is finding a nice market for commercial software at the very top, in big companies and government offices.

This implies that piracy should be encouraged in order to gain a foothold in an otherwise closed market. Anderson refers to that strategy as "controversial," but it's worked for centuries in the field of religious evangelism, where the creation of a few "true believers" (spiritual beta testers?) can ultimately influence the direction of an entire nation or culture.

Interesting articles, both. I recommend them.

*If you're unfamiliar with the term, "long tail," it's a description of a commonly observed phenomenon in statistical analysis wherein a vast population of events occur very infrequently, while a very few events occur very frequently. Anderson adapted that term and in its proper noun format ("The Long Tail") uses it to described economic and business models that place value on providing an immense array of goods even though no single item is sold very frequently. Focusing on The Long Tail is what companies such as Amazon.com and NetFlix (and Apple's iTMS) do, and it's working out very well for them. If you want a quick primer regarding The Long Tail, visit Wikipedia.

Technorati tag:

Comments

Wow! You mean I actually found a cool website before The King! I am humbled.

I've read The Long Tail a few times over the months before deciding I would wait for his book (though I have to admit, I thought the first time was when I followed a link of yours... but maybe not).

I think your piracy analysis is good. I look at it (perhaps out of ignorance of economics which I was never very good at) as the reverse of, say, price caps for gasoline in Hawaii. The philosophy that says all music piracy should be stopped actually restricts the market. I'm not smart enough to make all the connections, but you did a pretty good job when you mentioned your taste in music (which isn't bad by the way, despite the implication of my comment on an earlier post). Across the board pricing combined with super vigilant anti piracy policies results in artificially inflated prices throughout "the long tail." Does that then, deflate the price companies can charge at the top end? Maybe it evens out in the end, but my guess is it doesn't.

Am I making any sense? Probably not. What I mean to say is... I think you're right.

Posted by: Jim at September 5, 2005 06:58 PM

You are of course assuming that the record companies will tier their prices at a lower rate than they are already selling the songs for. Record industry executives are nothing if not greedy and totally ignorant of economic reality. They will probably set the floor at 99 cents a song, and the top for Britney Spears at $2.50 or something ridiculous like that.

(/cynicism)

Posted by: bryan at September 5, 2005 07:26 PM

Jim, while I think you're right about the artificially inflated prices of the long tail items under a zero-tolerance anti-piracy policy, I'm not sure that naturally brings about lower prices for the items at the other end of the scale. I don't think it's a zero sum game, but I'm certainly not an economist and could well be missing something (or most everything).

Bryan, I'm not assuming anything...just repeating what the article stated, that the record companies are starting to understand "economic realities," at least with respect to paid music downløads. They understand that they've got a zillion "long tail" songs that no one will buy for $.99 (let alone $1.99).

But, yeah, if they could triple the price of the short tail items, they would. Of course, that probably goes for 99.9% of the industries in existence today.

Posted by: Eric at September 5, 2005 08:25 PM
Post a comment [Take your time...we're in no hurry.]









Remember personal info?