I Love Lucy

I drafted this post two weeks ago. After deciding it made me sound like a pitiful fanboy, I put it on hold. Then, yesterday, I again fired up the iPod and after listening to the album three more times, I realized that I am a fanboy. I can live with it.

I was watching a now-forgotten movie on AMC a few weeks ago, and enduring the endless repetition of that channel's ads for upcoming movies. My pain was eased somewhat by the music that accompanied one ad, a snippet remarkable for its energy and intriguing arrangement, a catchy pop tune with some throwbacks to another period, including a clarinet riff and some nasty horns. Fortunately, AMC had the good sense to show the song title and artist in the lower corner of the screen, like MTV used to do in the old days when it actually featured music videos. The song was Use What I Got by a woman named Lucy Woodward. I immediately sought it out on the iTunes Store and invested 99 cents.

Fast forward a couple of weeks. I'm doing some rather tedious image editing, one of the few tasks that actually goes better for me with a musical background. Use What I Got popped into the shuffle rotation, and again sent me back to iTunes where I sampled a few more tracks from its album, Lucy Woodward is Hot and Bothered. Noting that I had a few bucks remaining on account from a gift card, I did something I rarely do: downloaded the rest of the album. I've listened to it a dozen times in the last three days or so.

In a nutshell, I'm smitten by Lucy Woodward's voice and musical talents.

I now see that her songs have been featured in a slew of movies (none of which I've seen, by the way, another testimony to my sad state of uncoolness), and she's even had a top 10 pop song, Dumb Girls (which I sampled and passed on; it's from an earlier album). So I'm late to this bandwagon, but in this case, it's better late than never.

Woodward's got this crazy voice that adjures adjectival alliteration: sultry, sophisticated, sassy, sizzling, soulful. She writes songs that beg for repeat listenings in order to dig all the layers. She has a feel for pop hooks that turn tunes into earworms, but this is oh-so-much more than a pop album. The lyrics are sophisticated and occasionally racy, and the musical references span decades (or, perhaps, centuries) and cultures. How can you not like a song entitled Hot and Bothered set to the tune of a Yiddish lullaby? Woodward cites influences ranging from Julie London to Ray Charles to Bjork to Etta James, and you could picture her singing in a speakeasy from the 40s as easily as in a trendy 21st century nightspot.

The musical arrangements on this album are imaginative and grown-up. This is not your teenybopper's pop music. In fact, the only reason I apply that genre is that it's what the iTunes Store uses. Regardless of the classification, the tunes are uniformly catchy and sufficiently layered (there's that word again) to bear repeated hearing.

I don't buy many albums – Love and Tommy Castro's Painkiller are the only others I've purchased this year, in fact [I would have bought Kyle's In Harbors Gray but I've got connections] – but Hot and Bothered is an investment I'm thrilled to have made. If you've never heard of Lucy Woodward, don't worry; you can make up for it by adding her album to your collection. It may not make you cooler, but then again, you probably won't care.

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Comments

I LOVE 'nasty horns'! I'll be sure to check it out.

Regarding the devil-may-care attitude you adopted when you purchased the album--I'm in the generation that caught the tail-end of the vinyl era. I loved that I could pop into Gibson's or Musicland and purchase a 45 RPM (that on my $2/week allowance was easily affordable) of the song I wanted without wasting my money on a bunch of songs I'd never heard, and might or might not like. But as I've gotten older, I now have this insatiable need to purchase the entire album that my new favorite song is a part of. I've discovered that so often, the real jewels of an album are never released across the airwaves.

And now, here I am in this pick-and-choose digital download era that was made for the version of me that is decades gone. Go figure.

And you know what, Eric? You're cool because you acknowledge the fact you might just be uncool. You rock.

Posted by: Tricia at October 10, 2007 07:11 PM

Tricia, we had a whole thread on the "single tracks-vs-album" debate a few months ago, and I can assure you that you're not alone in preferring albums.

But I don't think iTunes has killed off the album, any more than 45s killed 33s. If anything, Apple has made it even easier to buy an entire album with its "complete my album" feature, and the pricing structure that often makes it a better deal (per song) to buy the entire album.

ou're cool because you acknowledge the fact you might just be uncool.

Let me guess: you're a Huey Lewis fan. ;-) Anyway, thanks for throwing in that "might just be" instead of the more accurate "definitely are."

Posted by: Eric at October 10, 2007 07:54 PM

Okay, you've convinced me to give her a listen. Googling didn't do her this kind of justice. ;-)

Posted by: gwynne at October 10, 2007 11:03 PM

The very last LP I bought was "Fore!" And I played the heck out of it!

I'm familiar with the 'Complete My Album' feature, but haven't yet tried it out. It sounds like we might have something in common in that my music purchases are also well thought out, contemplated, scrutinized--no, agonized over, is more like it. I wonder if there's a name for a phobia of spending money on music that's deceptively crap. 'Cuz I have it! Oh my gosh, if I could just have back all the money I've spent on albums for that one fantastic song, only to realize later on that the entire album, sometimes including that song, stank. I could probably make my next house payment!

(Can anyone say Milli Vanilli? I wonder how much I could get on eBay if I still had that tape. I think it got melted in my car, though.)

Posted by: Tricia at October 10, 2007 11:59 PM

Huh...

For the second time today, my comment has been rejected by your blog! But this time, it found the word 'm0rtgage' to be questionable content.

Well...um, yeah, I guess that's about right.

Posted by: Tricia at October 11, 2007 12:02 AM

Gwynne, musical tastes are so subjective. I daresay that musical preferences can even change for a given individual based on the listener's emotional or mental state when he or she hears a song. But, for whatever reasons, this album resonates with me. Or, could you tell? ;-)

Tricia, I don't take many chances with my music; I like to test-drive it first. That's not to say that I'm not musically adventurous, because I am. I've got everything from Brazilian Samba to Hank Williams and from dc Talk to JS Bach on my 'pod. But I do like to know what I'm getting before I plunk down my cash.

And I've been burned by others' recommendations. For example, a year or two ago I bought a Son Volt album based on another blogger's review. I've tried really hard to like it, but it's just not working for me.

Posted by: Eric at October 11, 2007 10:37 AM
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