Recently in Foibles Category

Lindsay's Slippery Slope
March 10, 2010 8:29 AM

I'm sure that you've heard that Lindsay Lohan is suing E-Trade and its advertising firm for using the name "Lindsay" in one of their wildly popular TV commercials. The "actress" wants $100 million for "pain and suffering" because - her lawyer claims - she's a "one-name celeb like Oprah or Madonna" and the TV ad sends a subliminal message that reflects badly on her image.

Excuse me? First, I feel compelled to remind Lindsay that she's made a series of choices in her life that have relegated her to the B-list (at best) of impaired and out-of-control wannabes. Having a talking baby make fun of her (even subliminally) would actually be a step up for her.

Setting aside the fact that in 1986 (the year of her birth, in case she can't remember) the name "Lindsay" was the 46th most popular girl's name in the USA (and the variant "Lindsey" ranked even higher, at 39), I think she should give careful consideration to the implications of claiming an exclusive association with certain descriptors. If her lawsuit is successful and thus requires that every time we hear "Lindsay" (or, if we have a discriminating ear, "Lindsey") we think of her, then it will have to logically follow that we'll also bring her to mind whenever we hear "pathetic," "narcissistic," and "delusional."

Then again, perhaps that horse has already bolted the stable.

Update: This just in - Oprah and Madonna are suing Lindsay and her lawyers for associating their names with hers.

And just to show how seriously we here at the Gazette take Lohan's lawsuit, here's the ad in question:


Slow News Day?
March 3, 2010 4:33 PM

I have a subscription to the online version of the Wall Street Journal and I subscribe to an email list that sends three news updates each day: morning, noon, and - wait for it - evening. Those updates usually lead off with breaking stories about events of widespread interest - you know, disasters like earthquakes in Chile or Charlie Rangel in Washington, and economic/financial news of import such as the content of the latest Fed Beige Book* or Tiger's dwindling sponsorships.

But today must be a slow news day, because the noon update led off with this story - A Game of Tag Breaks Out Between London's Graffiti Elite (think Hatfields and McCoys armed with Rust-Oleum)  - and the evening wrap has this in the lead: Should This Move Be Banned? (an article about a "devastating penalty-kick" employed by the Brazilian World Cup soccer team). This had the effect of pushing down more important news like the status of Mideast peace talks ("promising and yet inevitably failing") and Leno's whupping of Letterman on his first night back ("promising and yet inevitably failing").

I'm not complaining, mind you (although I am eagerly awaiting a report of a devastating penalty kick delivered to Letterman; now that would be news). But it does make one wonder if the Journal is going for a different image, sort of a "Drive your Veyron to a 7-11 for a raspberry-lime Slurpee" vibe.

*"Beige Book"? Talk about someone whose image could use some sprucing up.

Ever had one of those days?
February 26, 2010 9:00 AM

At least it's Friday.


Link via TwistedShifter

Oh, and here's where it gets even worse. Somebody needs to retake Fly Catching 101.


I've Never Been Prouder to be a Texan!
January 19, 2010 2:17 PM

You have to hand it to the Japanese. For whatever reasons, they're the undisputed leaders in formulating the world's strangest TV shows. Anyway, via Neatorama comes this video of an exercise to determine which, if any, animals can negotiate a path without knocking down dominoes that line either side.

My only quibble is that they should have played the Texas state song at the end.



Why all the talk about Texas? It's simple, really.

Caged Weed
January 13, 2010 4:56 PM

If you think tumbleweeds are mild-mannered critters with no agenda, you've got another think coming. You cannot begin to imagine the epic struggle it took to corral this one. (Word to the wise: never get between a lone tumbleweed and its herd.)

Tumbleweed in a cage

Of course, the difficult decision is now what to do with this one. The humane thing would be to put a shotgun to its head, but given the difficulty of locating said head and the problems of dealing with a wounded 'weed have made it just about impossible to find anyone around here willing to volunteer for the task. Your ideas are welcomed.

Tiger: The real story!
December 2, 2009 8:41 AM

The US tabloid media has a lot to learn from the Chinese. Here's a computer graphic-enhanced report of how the "Tiger Woods Incident" really went down.



Hey, if you can't believe Chinese CG, what can you believe?

Proof of Microsoft's Success
November 12, 2009 7:59 AM

Update: I'm been taken to task for unfairly maligning Windows 7, the final version of which is far superior to the beta version depicted below. In the final version, Hitler's mustache also jiggles.

Via xkcd:

Comic
We enjoyed a DiGiorno pizza last night, a Thin Crust Supreme supplemented with extra mozzarella and pepperoni, if you must know. And while it was quite tasty and a completely acceptable and less expensive alternative to a restaurant offering, it was also square.

There were some logistical issues of fitting it on a round serving platter and figuring out how to slice the darned thing, but the shape also raised an issue that should be of paramount importance to every serious pizza aficionado: assuming the area is the same, do you get more crust from a round pizza or a square one?

I'm sure there are manifold websites devoted to explaining the relationship of the circumference of a circle to the perimeter of a quadrilateral shape, but I chose to do it the old-fashioned way, with a slide rule and abacus. Ha ha, just kidding. I used Excel. (I wanted to use my iPhone's calculator but it doesn't compute square roots. At least not like I want to compute them, with one touch of a key.)

And, of course, what I found shouldn't surprise anyone. By choosing a square shape for its pizza over a round one, DiGiorno has effectively caused the amount of crust to be...oh, look! A baby bunny!

You didn't really think I was going to deprive you of the joy of figuring this one out for yourself, did you?

Putting the Obama Dress into Perspective
September 21, 2009 11:51 AM

I'm not sure why everyone is making such a fuss over the dress worn by that soap opera actress - Victoria Rowell - at the Emmy Awards ceremony last night, the gown adorned with an Obama-head pattern. Sure, it's ugly, but it's not like this is the first time that a dress has been ruined by a Democratic president.

I learned everything I know from subtitles
September 8, 2009 2:59 PM

My wife inexplicably added Dirty Dancing to our NetFlix queue. I inexplicably put it in the DVD player this morning (my copy of Die Hard 3 having mysteriously gone missing), and as is my habit while watching a movie during a run on the treadmill, I activated subtitles so as not to miss any of the deep and moving dialog.

You may not have noticed, but the writers of movie subtitles often exercise what I'll diplomatically refer to as artistic license when generating the text that accompanies the movie's audio track. The really good (or compulsive) subtitlers will even describe sound effects (craaaack!) or musical interludes (cello playing ominously). You'll occasionally see long monologues paraphrased, sometimes in ways that affirm one's suspicions that no aspect of modern industry is immune to outsourcing to workers for whom English is, at best, a second language.

And, sometimes, they just get it wrong, having apparently thrown up their figurative hands in dismay, as if they'd been asked to subtitle the original version of Louie, Louie. Such is the case with one scene in Dirty Dancing.

Remember when Baby and Johnny are doing the mambo exhibition while Johnny's regular partner visits the butcher with the coat hanger? Of course you do; don't play coy. Anyway, she's all, like, nervous and he's all, like, just follow my lead, and he's talking her through the next steps (like anyone ever does that), and at one point he says, very clearly, albeit sotto voce, "cross body lead."

Now, as we all know, the cross body lead is one of the more common moves in ballroom and Latin dancing, where the male turns away from the female and then pulls her past his body in one fluid (theoretically) motion so that she ends up on the opposite side of where she started. One can do cross body leads in everything from cowboy two step to rumba to foxtrot (although I've never seen anyone actually successfully execute the move while doing the gator). So, it's not like it's some exotic move that was specially created at Patrick Swayze's behest just for this movie.

Anyway...well, I've lost my train of thought. Oh, wait; the subtitle. Yeah, when Johnny says cross body lead, the subtitle comes up as now spot a lead. Oh, my. Talk about a disaster of epic proportions.

I think (I hope) the message is clear: never rely on subtitles when trying to master subject material of a highly technical or life-and-death nature. Because it might just be that the next time you're trying to defuse a bomb before it blows up the nunnery, instead of playing through your head the proper snip the red wire, you'll hear strip and head higher, and not only will people die, but you'll probably be humiliated. 

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